2009년 4월 3일 금요일

Suzuki method(스즈키 교습법)

자료: Wikipedia, http://en.wikipedia.org/wiki/Suzuki_method


The Suzuki method (スズキ・メソード Suzuki mesōdo?, also called Talent Education,mother-tongue method, or Suzuki movement) is an educational philosophy which strives to create "high ability" and beautiful character in its students through a nurturing environment. Its primary vehicle for achieving this is music education on a specific instrument (often violin or piano, but see below for a more complete list). The 'nurture' involved in the movement is modeled on a concept of early childhood education that focuses on factors which Shinichi Suzuki observed in native language acquisition, such as immersion, encouragement, small steps, and an unforced timetable for learning material based on each person's developmental readiness to imitate examples, internalize principles, and contribute novel ideas. The term "Suzuki method" is also sometimes used to refer solely to the Suzuki repertoire of sheet music books and/or audio recordings which have been published as part of its music education method.

I want to make good citizens. If a child hears fine music from the day of his birth and learns to play it himself, he develops sensitivity, discipline and endurance. He gets a beautiful heart.

Shin'ichi Suzuki

It was conceived in the mid-20th century by Shin'ichi Suzuki, a violinist who desired to bring some beauty to the lives of children in his country after the devastation of World War II. As a skilled violinist but a beginner at the German language who struggled to learn it, Suzuki noticed that all children pick up their native language quickly, and even dialects which adults consider "difficult" to learn are spoken with ease by people of 5 or 6 years. He reasoned that if children have the skill to acquire their mother tongue, then they have the necessary ability to become proficient on a musical instrument. He pioneered the idea that any pre-school age child could begin to play the violin if learning steps were small enough and if the instrument was scaled down to fit their body. He modeled his method, which he called "Talent Education" (才能教育 sainō kyōiku?), after his theories of natural language acquisition. Suzuki believed that every child, if properly taught, was capable of a high level of musical achievement. He also made it clear that the goal of such musical education was to raise generations of children with "noble hearts" (as opposed to creating famous musicalprodigies).

The Suzuki method was first developed in Japan. It spread from there to other Pacific Rimcountries, and then to Europe. The method has also begun to be taught in a few places in Africa. Although it originally used the study of the violin to achieve its goals, it has also been adapted for other instruments: flute,recorderpianoguitarcelloviolabassorganharp and voice. In addition, there are a few "Suzuki Preschools" which have adapted Suzuki's philosophy to use in the non-musical disciplines of early childhood education.


Philosophy

...all children can be well educated...

Shin'ichi Suzuki

The central belief of Suzuki, based on his theories of universal language acquisition, is that all people can (and will) learn from theirenvironment. Thus, the essential components of the method spring from the desire to create the "right environment" for learning music (he believed that this positive environment would also help to foster excellent character in every student). These components include:

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  • Deliberate avoidance of musical aptitude tests or "auditions" to begin music study. Suzuki firmly believed that teachers who test for musical aptitude before taking students, or teachers who look only for "talented" students, are limiting themselves to people who have already started their music education. Just as every child is expected to learn their native language, Suzuki expected every child to be able to learn to play music well when they were surrounded with a musical environment from infancy. (This does not preclude auditions for public performances).
  • Emphasis on playing from a very young age, sometimes beginning formal instruction between the ages of 3 and 5 years old. (See Technique)
  • ....
  • In the beginning, learning music by ear is emphasized over reading musical notation. This follows Suzuki's theory of language acquisition, where a child learns to speak before learning to read. Related to this, memorization of all solo repertoire is expected, even after a student begins to use sheet music as a tool to learn new pieces. There is no formal plan for the age at which reading should be introduced into the curriculum; this is left to the judgement of the teacher. The Suzuki method itself has no materials for the teaching of reading; instructors are encouraged to use whatever materials they deem proper.
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Technique

Although Suzuki was a violinist, the method he founded is not a "school of violin playing" (like the French or the Russian school of playing) whose students are always easily identified by the certain set of techniques they use to play the violin. However, some of the technical concepts Suzuki taught his own students, such as the development of "tonalization", were so essential to his way of teaching that they have been carried over into the entire method. Other non-instrument specific techniques are used to implement the basic elements of the philosophy in each discipline.

  • Tonalization is a term coined by Suzuki, and is deliberately similar to the word "vocalization" (as it is used by singers when they talk about warming up their voices). Tonalization is defined as the student's ability to produce and recognize a beautiful, ringing tone quality on their instrument. While initially developed for violin education, the tonalization technique has been applied to other instruments such as the piano. Suzuki believed that a student must learn tonalization in order to properly reproduce and perform music (Lavie, Karen, New Zealand Suzuki Journal, 2005). Outside the Suzuki method, the term used is "tone production," and is part of Western music education stretching back to its beginning.

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