Some passages on Adolf Loos, an architect

자료: Anneke H. Niemira,  http://www.anneke.net/Loos/Paper.html

The house has to please everyone, contrary to the work of art which does not. The work is a private matter for the artist. The house is not. The work of art is brought into the world without there being a need for it. The house satisfies a requirement. The work of art is responsible to none; the house is responsible to everyone. The work of art wants to draw people out of their state of comfort. The house has to serve comfort. The work of art is revolutionary; the house is conservative. The work of art shows people new directions and thinks of the future. The house thinks of the present. Man loves everything that satisfies his comfort. He hates everything that wants to draw him out of his acquired and secured position and that disturbs him. Thus he loves the house and hates art. Does it follow that the house has nothing in common with art and is architecture not to be included in the arts? That is so. Only a very small part of architecture belongs to art: the tomb and the monument. Everything else that fulfils a function is to be excluded from the domain of art. 3

3- Loos, Adolf. "Architecture," 1910. from Schezen, Roberto. Adolf Loos: Architecture 1903-1932, 15.

  There are four recognizable elements of composition, first compiled by Paul Frankl in his 1914 essay "Die Entwicklungsphasen der neuren Baukunst," which combine to achieve the perfect Loosian architectural structure.4

1. Visible Surface.
   This first element conveys the building's image, and concerns elements of the visible realm, such as light, color, or its facades, which clad the structure's interior and exterior walls like membranes.
   
   
2. Material Structure.
   The skeletal structure of the building, it might be comprised of beams, columns, brick, steel, stone, and so on; occasionally the technical underpinnings of the material structure, usually concealed, are revealed as well.
   
   
3. Space-Volume.
   The form circumscribed by the material structure on both the outside and inside of buildings; the placement of the elements of the material structure which allocates space within the defined volume.
   
   
4. Finality.
   This designates the emotional or functional component of the building, and involves its social or psychological purpose. 5