2009년 4월 19일 일요일

Narratives and Storytelling

자료: http://www.beyondintractability.org/essay/narratives/


By Julia Chaitin , July 2003
 


Stories, Narratives, and Storytelling

People are storytellers -- they tell narratives about their experiences and the meanings that these experiences have for their lives. All cultures and societies also possess their own stories or narratives about their past and their present, and sometimes about their view of the future. These narratives include stories of greatness and heroism, or stories of periods characterized by victimhood and suffering. In this module, we will explore different aspects of storytelling and narratives and look at their connection to conflicts, reconciliation, and peacebuilding.

  • According to Webster's dictionary,
    a narrative is "a discourse, or an example of it, designed to connect a succession of happenings."[1] 
  • Adding the definition offered by the American Heritage Dictionary of the English Language,[2]
    we learn that a narrative is "a story or description of actual or fictional events; or the act, technique or process of narrating." 
Taken together, then, a story or a narrative combines either real or imagined events that connect in such a way to provide a chain of events that are recounted to others. Over the last 20 years, there has been an upsurge in the study of narratives in the social sciences in general, and in the study of conflicts and peacebuilding in particular. This relatively recent emphasis on the narrative and its focal position in human lives has been termed "the narrative turn."[3]

Features of Stories

The psychologist and narrative scholar Dan McAdams notes that people expect a story to have a number of features.[4] All stories or narratives have a setting, which is usually made clear early on. While not all stories develop their settings, some evoke vivid associations of particular times or places. When the setting is ambiguous, the listener or reader of the story may feel confused or disoriented. The second element is characters -- the players in the action. As the story proceeds, we learn certain basic information about the characters in the story -- what they look like, how old they are, their dreams and wishes, etc. Thirdly, we expect a story to have at least one plot -- actions which have consequences and reactions to these consequences by and for the characters. A story may contain one episode or may have a sequence of episodes that includes the basic elements noted above. In a story, an initiating event leads to an attempt on the part of a character. The consequence gives rise to a reaction. Episodes follow one another, building on one another as the story takes form. Within this basic story structure, there are numerous variations and conventions which can enhance a story's tension. As tension builds across episodes, we desire an eventual resolution of the problem faced by one or more of the characters. This relief occurs in the climax, or turning point in the story, followed by the denouement.[5]

Myths

One kind of story is a myth -- a story that gains wide acceptance and is often deemed sacred for its ability to communicate a fundamental truth about life. Such a story may be incorporated into different levels: the individual, group, family, organization, society, and/or culture. Myths contain archetypal symbols that help make us conscious of and curious about our origins and destiny and they capture a society's basic psychological, sociological, cosmological, and metaphysical truths.[6] In short, myths reflect the most important concerns of a people, and they help preserve the culture's integrity.[7]

The use of myths in nationalistic-based conflicts has been explored by the political scientist and analyst van Evera.[8] This scholar has noted that when nationalist movements embrace self-glorifying or other-denigrating myths about its own or others' conduct and character, then their nationalism becomes more dangerous and may more easily lead to violent conflict.


Storytelling

Narratives/stories are produced in order to be recounted to others. McAdams notes a few basic aspects of storytelling -- the oral or written sharing of our stories with others.[9] A culture's stories create a shared history, linking people in time and event as actors, tellers, and audience. 
  • Stories are not merely chronicles of what happened; 
  • they are more about meanings. As people talk about the past in a subjective and embellished way, the past is continually reconstructed.[10] This history is judged to be true or false, not solely with respect to its adherence to empirical fact, but with respect to narrative criteria such as believability and coherence.
Jerome Bruner has argued that one of the ways in which people understand their world is through the "narrative mode" of thought, which is concerned with human wants, needs, and goals.[11] The narrative mode deals with the dynamics of human intentions; when in this mode, we seek to explain events by looking at how human actors (including ourselves) strive to do things over time. As we comprehend these actions, we see what obstacles were encountered and which intentions were realized or frustrated.

People are drawn to stories for a number of reasons: they can entertain us, help us organize our thoughts, fill us with emotion, keep us in suspense, or instruct us in how to live and act. They also often present dilemmas concerning what is moral and immoral behavior. At times, stories can also heal us when we feel "broken" or ill, moving us toward new psychological understandings of self and our social world. This is the case, for example, when mental health professionals employ narrative therapy in their work with their clients in order to help them to reframe their life story in a more holistic and integrative way than it was in the past.[12]

Telling one's story, through oral or written means, has been shown to be a key experience in people's lives, especially those who have undergone severe social trauma. This has been the case for many of the thousands of Holocaust survivors who have given their testimonies in institutions around the world such as Yale University,[13] the Survivors of the Holocaust Visual History Foundation project, and Yad Vashem, the national Holocaust museum and memorial in Israel. While the storytelling of their traumatic past does not always have a healing effect for the survivors, it opens up channels of thoughts, feelings, and communication that have often been closed for years. Having the opportunity to recount one's traumatic past to an empathic listener, especially when one can integrate the traumas into present-day life, can often lead to the telling of deeply personal stories that may have been previously "forgotten" or "denied."[14]

Storytelling has also been used by Palestinians to recount the suffering that they have incurred since they were dispossessed of their land over the years.[15] These stories often include experiences of deportation/escape, life in the camps in Jordan, Syria, and Lebanon, and dreams of returning to their former homes........... 


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